Last week my friend Linda came over again so we could paint together. When we painted in March, Linda supplied the subject; this time I did. I found a tutorial in an old Watercolor Magic magazine - 'The Elegance of Untouched Paper' by Tony van Hasselt and we both were keen to try the vignette idea.
It doesn't seem to matter that we work from the same instructions when we follow a tutorial - we always end up with very different paintings.
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| Linda's Painting |
Linda chose to loosely copy the subject from the tutorial while I chose a different building.
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| My Painting - The Old Red Barn |
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Most of the elements are the same in both paintings; a barn type building, a silo, a crooked fence, a few trees and bushes and, of course, the same palette of colors. But, our approaches are quite different. Linda often uses a layering effect with blended washes on top of dried washes while I mostly use wet-in-wet techniques. We did try to follow the guidelines in the tutorial but I am not sure how good a job we did.
Here is a synopsis of the vignette guidelines:
-Between 30 and 40 % of the paper should be untouched
-The painted area should touch the edge in 3 or 4 places but not in a sustained way.
-The untouched areas should have and interesting, interlocking shape - not proportional or equal
-Hard edges should dominate ( I think Linda was more successful with this aspect than I)
We had just started thinking about doing a second painting when I realized that I needed to start dinner so Linda went ahead and painted a second piece.
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| Linda's Tree Silhouettes |
I think our total painting time that day was about 2 1/2 hours. Between eating lunch, visiting, checking out new home improvements, doing dinner and just talking about our lives we don't have a lot of time before Linda is on the road back home.
It doesn't matter how short or how long the time is, painting with a friend is great and well worthwhile.